Analog landscapes:
A journey through light,
texture, and time
analog photography
Analog landscapes:
A journey through light,
texture, and time
Date
– 2017/20
Client
– Personal project
Role
– analog photography
– analog development
– analog printing
Photography is a central pillar of my creative practice. It sharpens my eye, trains my sensitivity to light, shadow, composition, and teaches me how to see more deeply. Among all photographic methods, analog photography holds a special place in my approach, a medium that invites slowness, presence, and attention to detail.
For over five years, I have explored every stage of the analog process, from shooting to development and printing. Working with black-and-white film allows me to focus on contrast, texture, and emotion, stripping the image down to its essential qualities. The tactile and chemical dimension of analog photography, especially through film development and darkroom printing, requires patience and precision, but also sometimes opens the door to beautiful unpredictability.
I primarily shoot with a Canon AL-1 and a Minox 35GT, and I’ve also had the opportunity to experiment with large-format photography in studio settings. Whether in everyday moments or while traveling, I use photography as a way to document what moves me and to explore how light reveals a subject, a surface…
Analog photography, for me, is more than a technique: it allows for experimentation, observation and introspection while grounding my artistic process in a physical, hands-on craft.
